Londres

Big Ben lo mas visto en Londres

Afternoon Tea in Mayfair

Yesterday afternoon I travelled to Mayfair for afternoon tea with my colleagues.  I arrived with an hour to spare and decided to take a little walk around first.  It was hard to believe that a Royal Wedding had taken place merely 24 hours before, with approximately one million people descending upon the area, because it looked remarkably free of litter or any other such signs. (Forgive me, I hail from Africa, there would be signs of street festivities of that scale). 

At least The Ritz Hotel had a sign saying, “Congratulations, Your Royal Highnesses”. 

I went into Green Park which is looking beautiful and green this spring.  I took a seat on a park bench in the sun and read for a while.  It was a beautiful, sunny day but definitely still weather for a light cardigan as there was a fierce wind blowing.  I didn’t have a light cardigan but managed to sit in the sun for over half an hour.  Bliss.

London is so beautiful when the sun shines.

We were meeting for afternoon tea at the Chesterfield Mayfair.  The hotel provides instructions for the journey between Green Park station and the hotel, and I understand why.  I followed Google Maps and experienced the best of Mayfair’s back roads and alley ways.  London is such a city of contrasts, it never ceases to amaze me.

Afternoon tea is the quintessential English tradition.  It used to be the domain of fancy old ladies but is becoming more and more popular with the younger generation.  This was very much in evidence as the people all around us were young, trendy and most importantly, relaxed!

The service at the Chesterfield Mayfair is impeccable and we had a lovely afternoon.  We had a special Royal Wedding afternoon tea which consisted of sandwiches and scones with jam and clotted cream plus wedding fruit cake, William and Kate cupcakes and the Queen’s pudding.  There was also an option to include Champagne with the tea but I passed on account of all the Champagne I had at our Royal Wedding part on Friday.

Afternoon tea was quite an experience and one that I would be happy to repeat.  The price of the award-winning afternoon tea at the Chesterfield Mayfair begins at £23.50 which is quite reasonable compared to other locations and it was worth every penny.  Yum.

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My New Year resolution was to fight the complacency of living in a big city and to do at least one London activity a month.  Other activities this year include the Secret London photowalk in January; the Southbank Graffiti photowalk in February; and an evening at The Royal Albert Hall in March.

FA Cup Semi-Final: Man United vs. Man City at Wembley (16 April 2011)

This is a sort-off guest post by Stephen. The photos of the stadium are all his, as is the commentary. Stephen bought a season ticket to Manchester United this past season and has been going up nearly every second weekend for games.  The photos are all from before the match as he was had better things to do during the match than take photos!

Stephen looking super excited before the game

Yesterday was the FA Cup Semi-Final between Manchester United and Manchester City at Wembley.  As a United fan and season ticket holder, I had the chance to apply for tickets to the match and was lucky to get one. 

The first half was dominated by Manchester United and they should have scored two goals but Dimitar Berbatov missed both. He was thwarted once by a good save from Man City goal keeper Joe Hart and the second one was just a bad miss as he put it over the bar from point blank range.

 
Great seats!

City weren't even in the game in the first half but during the break Roberto Mancini must have had something inspirational to his side for the first time ever because City came out the hungrier of the two teams in the second half.  City dominated the first fifteen minutes which culminated in Michael Carrick making a fatal error and losing the ball just outside the box. 

The stadium before the match

Yaya Touré finished clinically as he sent the ball past Edwin van der Sar.Then a harsh challenge by Paul Scoles got him a straight red card which effectively sealed the game for Man City.

I stood for the entire ninety minutes because United fans are known for standing which is quite irritating. Speaking as a United fan, I believe fans are arrogant and require to be brought down a couple of notches. One of the songs we sing is "We are Man United, We'll do what we want. We'll do what we want because we are Man United".

It was pretty shocking that they allowed the City and United fans to congregate after the match as it got quite tense and there were obviously skirmishes because a couple of guys walked by with bandages and blood on their heads.

The teams warming up and the opening ceremony

Concert Review: Does It Offend You, Yeah?–Heaven, April 4, 2011

On Monday evening, we headed down to Heaven in the Arches under Charing Cross Station.  There isn’t much that would get me to a dive of a club on a Monday evening but seeing Does It Offend You, Yeah? perform live would.  Once inside, we got a spot right near the front and prepared ourselves for an evening of mayhem as DIOYY are known for their chaotic live gigs.

Tripwires were the first support band.  The club had taken quite a while to fill up and I correctly predicted that they would start the support bands late.  Tripwires sounded a bit like Suede and the Britpop bands of the mid-nineties with endless reverberating guitars and the deepest possible basslines. 

I really wanted to like them but their guitars drowned out their vocals. It sounded like the sound levels were all wrong and the instruments were competing for prominence but the free track on their website sounds the same.

Hounds were up next. This four-piece from Essex were really energetic and ripped up the stage.  They have a pretty heavy sound and like DIOYY, they make use of samples and mac-effects in amongst thrashing drums and guitars.  They reminded me a lot of The Prodigy at their loudest.

Hounds were really entertaining too. In the middle of their set, the vocalist explained that they’d been supporting DIOYY across their many gigs in the UK and they knew who it was the crowd wanted to see.  Just once, he said, he wanted to hear the crowd go wild just for them and so he whipped up the crowd into a frenzy as we cheered on their next track. 

Canned frenzy or not, it is clear that everyone was there to see the main act, Does It Offend You, Yeah?  The last time I saw them was at Exit Festival in 2010 and I was looking forward to hearing some of the brand new tracks from their new album Don't Say We Didn't Warn You.

The moment finally arrived and the band burst onto stage.  They launched straight into “Wrestler” which is one of my favourite tracks on their new album and followed up with “With A Heavy Heart (I Regret To Inform You)”.  Lead singer James Rushent asked which fans had been around since the beginning (which elicited a big whoop from me) and they played their first ever recording “Battle Royale” featuring the sublime guitar solo from Matty Derham. 

The next three tracks are amongst my favourite DIOYY tracks and the crowd went crazy.  First up was “We Are The Dead”, the first download released from their new album plus my old favourites “Attack Of The 60ft Lesbian Octopus” and “Weird Science”. 

The band were then joined on stage by rapper Trip to perform on their track “Wondering”.  It was a great opportunity to see him perform with the band and he gave a great performance.

I love the photo above.  If you click on it for an enlargement, you can see all of the bands members, including Trip, grinning away.  It is possible that this was taken when James Rushent was grilling the crowd on whether they had illegally downloaded the new album.  Not many people admitted to doing so which is strange when you consider how many users were commenting about it on Last.fm after it leaked. 

Next up was “Survival of the Thickest” the iTunes-exclusive bonus track from their new album.  It is a great track that reminds me of the classic Space Invaders game.  It was around this time that the band were informed that they needed to get off stage shortly.  James Rushent put the blame on the previous bands not being ready on time but we all knew they were due to appear on Radio 1 at 10pm anyway.  They seemed to rush through the next three tracks which were old favourites from their first album, “Let’s Make Out”, “Dawn of the Dead” and “We Are Rockstars”.

The band then disappeared off stage, reappearing for the obligatory encore after the crowd bayed for more.  They played a raucous version of “The Monkeys Are Coming” and then, just like that, they were gone.

I really enjoyed the show and I loved every single track that they played.  I know they couldn’t have played for too much longer as curfew was at 10.30pm but I was hoping to hear far more tracks from their new album.  I guess that settles it then: I’m going to have to see them in concert again, and soon!

The Shard: A Year in Photos

When construction first began on The Shard back in 2009, it seemed like 2012 was a long, long way away.  It has been just over a year since The Shard first began peeking out over rooftops in the London Bridge area and a full year since I started taking photos.  So, without further ado, I present you a year of photos of The Shard.  Click on any of the photos for an enlargement.

 

March 2010

 

In March 2010, the building was about 18 levels high.  All that we could see was the central core and while there was a framework around the bottom 7 levels or so, there was not much to see down there yet.

 

April 2010

 

By April 2010, The Shard began to dominate the sky as you walked out of London Bridge Station forecourt.  In just one month, they had made incredible progress and the framework for the lower levels and lobby seemed to be complete, as was the framework for the first three concrete floors.  The core had reached about 20 levels (it is difficult to see how much more has been built under the Mace banner).

 

May 2010

 

In just three weeks from April 30 to May 20, 2010, the core had shot up 7 levels to 27 levels.  Work on the concrete floors (which I increasingly began to view as either a ‘skirt’ or cake layers) continued to five floors.

 

August 2010

 

For a period of time, there didn’t appear to be any discernible difference in the progress of The Shard, but over the summer of 2010, the core rose to 37 levels and the outer layers really did begin to look like the skirt of a flamenco dress with all of that red and black.  If you look at the photo below-right, you will also see that the building began to extend slightly to the east.

The glass work began to be visible above the tops of buildings later in the year and the bottom levels were lit up to look like a Christmas tree.  I wish I had taken a photo of that but was far too cold and miserable to be taking out my camera!

 

January 2011

 

By January 2011, The Shard had begun to dominate the London skyline.  The core had reached its highest level at level 72 and the concrete floors had reached to about level 44.  The glass cladding had reached about level 35.

 

February 2011

 

The concrete floors reached level 46 by the end of February and the glass cladding continued to be completed around the building.  Attention was given to the extended blocks to the east of the building.

 

March 2011

 

By the end of March 2011, the concrete floors had reached level 50 and the cladding was complete to level 38.  The work on the extended blocks was mostly completed and I imagine it will simply be onwards and upwards now until the building is completed.

I certainly cannot wait until the observation deck is complete and look forward to one final year of Shard watching.  The Shard is currently the tallest building in London and the United Kingdom and exceeded One Canada Square in late November 2010.

Concert Review: Editors - Royal Albert Hall, London, March 26, 2011

Each day in the United Kingdom, six teenagers find out that they have cancer.  Cancer often spreads rapidly in teenagers on account of their growth spurts and it is the leading cause of non-accidental death in the UK.  Teenage cancer patients are often put in wards with small children or the elderly where they are not amongst their peers and not necessarily treated by experts in teenage cancer. 

Teenage Cancer Trust provide ten specialist units in NHS hospitals across the United Kingdom.  With bright and colourful surroundings, the units are designed to be comfortable for both patients and their families.  They can interact with their peers, play computer games, watch TV while being treated by specialists in the field of teenage cancer.  The Teenager Cancer Trust aims to build enough units by 2012 so that every teenager in the UK will have access to the specialist care that they provide.

Each year since 2000, Teenage Cancer Trust has held a series of fundraisers at the Royal Albert Hall in London.  Roger Daltrey of The Who explains that music is everything to teenagers and the whole music business is built on the backs of teenagers.  But your life drastically changes when you are diagnosed with cancer.  Teenager Cancer Trust exists so that the lives of young people with cancer are not defined or limited by their cancer.

The 2011 Teenager Cancer Trust gigs at the Royal Albert Hall ran from Monday 21 to Sunday 27 March and included acts such as Biffy Clyro, Roger Daltrey, Tinie Tempah and Beady Eye.  We went along on the evening of March 26 to catch Editors supported by I Am Arrows and Wolf Gang. 

I Am Arrows

I was initially pleased to see a band I recognised in the supporting line up as I had seen I Am Arrows performing at Wembley.  Unfortunately, they gave a lukewarm performance which was worsened by frontman Andy Burrows (formerly of Razorlight) grumbling at the crowd and condescending that no one there knew their music.  Obviously Andy Burrows doesn’t realise that many music fans go to live events to discover new bands and three of my greatest music obsessions of all time started with me discovering them at live concerts (PJ Harvey, The Parlotones and Kawasaki 3P). 

Wolf Gang

Whereas I Am Arrows had been dull and boring, Wolf Gang were energetic and upbeat.  They had a great attitude too and played their hearts out.  Unfortunately, they weren’t very good at it.  Fronted by Max McElligott, Wolf Gang are meant to sound like David Bowie or Talking Heads but just sound like a really bad, early-eighties tribute band with a dodgy sense of style.  Top points for trying though and at least they smiled and seemed happy to be there.

After two such disappointing opening acts, we were more than ready to get on with the evening’s programme.  First though, we watched a touching and informative video presentation on teenage cancer and the noble work that Teenage Cancer Trust does.  One of the young adults featured in the video came up on stage to tell us about his experiences.  He explained that thanks to Teenage Cancer Trust, he did not lose a year of his life when he was in hospital and he would not change his cancer experience as it made him a better person.  A very brave young man indeed.

Editors

Finally, the moment we had all waited for arrived and Editors were on stage.  They opened with “Camera” and “Bullets” from their first album The Back Room and in mere seconds I realised why the Royal Albert Hall is famed for its excellent acoustics.  The band sounded incredible and Tom Smith’s baritone voice carried perfectly in the hall.  “Bones” was next, followed by “An End Has A Start”, one of Editors’ best known songs, and the crowd really got going. 

We were then treated to “Two Hearted Spider” which is one of Editors’ new tracks.  It was absolutely incredible and on this basis alone I will rush out and buy their new album when it is released.  Thankfully there is quite a decent video of the performance up on YouTube and I’ve been able to savour the moment again.

I was quite unprepared for the showmanship and performance by Editors on the evening.  Tom Smith is electrifying and commanded the whole stage, which he would need to as he both sings, and plays keyboard and the piano too.  Chris Urbanowicz and the band are incredibly talented too.  We were only a couple of rows from the front and the setting felt intimate, almost as if we were on a personal journey with Tom Smith and the band, as if we could touch the emotions in each of their tracks. 

Next up was “You Don’t Know Love” from In This Light And On This Evening, my favourite of their three albums.  I recognised the song from the opening note and thoroughly enjoyed it.  Tom Smith played the piano and then the stage was set for the next track, “The Racing Rats”.

“No Sound But The Wind” and “Lights” followed and then “The Big Exit” and “Eat Raw Meat = Blood Drool” from the latest album which I really enjoyed. The latter featured great visuals on the screens and was quite menacing.  We were again treated to a new track as “The Sting” was up next and is another solid track. 

“Munich” followed and then the rest of the band exited the stage to leave Tom to perform a short acoustic set.  He opened with a cover of Spacemen 3’s “Walking With Jesus” and then played “Weight of the World” from their second album An End Has A Start.

The band then came back for just two songs: “Smokers Outside the Hospital Doors”, another one of their massive hits, and “Bricks and Mortar”.  They walked off the stage but somehow I knew that they would return as I simply hadn’t heard the track I had been waiting for.  The crowd at the Royal Albert Hall did not disappoint that evening and cries of ‘encore!’ erupted until the band returned to the stage (oh, who am I kidding, all bands come back for an encore these days).

Editors played a solid four-track encore, beginning with “In This Light And On This Evening” which is my favourite track on that album and the track I had been waiting for.  The rest of the crowd were evidently waiting for “Papillon” which was up next and the crowd went crazy.  The band then rewarded true fans by playing “You Are Fading”, which has previously only been available on a special edition 2-disc version of The Back Room, before closing with “Fingers in the Factories”.

All of a sudden, it was over and we began to file out of the Royal Albert Hall.  I waited a day before writing my review because my initial judgement was that it was the best concert I have ever been to and I wanted to be sure. My friend mentioned that Tom Smith lost his words during “The Racing Rats” and he noted a couple of other mistakes but neither of us really cared.  It was a fabulous concert for a great cause and after a day’s wait I can confirm that it is indeed one of the best concerts I have ever been to.

Article first published as Concert Review: Editors - Royal Albert Hall, London, March 26, 2011 on Blogcritics.

Royal Albert Hall, London

On Saturday evening, we made our way to the Royal Albert hall to watch Editors in concert.  I had never been to this venue before and was quite unprepared for just how exquisite and intricately detailed the architecture is.

We had to wait in a long line to get in to the venue so for once in my life, friends and spouse did not complain as I went around to the front to get some decent photos.

Above is the Albert Memorial in Kensington Gardens.  It is quite beautiful and looked magical in the dusk lighting.  (Click on the photos for a larger resolution).

The Royal Albert Hall was opened by Queen Victoria and the first performed was on March 29, 1871.  I wonder if the patrons on that evening 140 years ago were as excited to see their performance as I was to see Editors?

I’m just writing up my review of the concert and should post that later this week. 

In the meantime, I’ll take this opportunity to mention that I am having a couple of problems logging in to Blogger since my password was hijacked a couple of weeks ago.  I can’t moderate comments or log in to my dashboard and it tells me that I am no longer following any blogs.  I also can’t click on my followers to see new people without getting a nasty error message. 

Now is not the time to encourage me to move to Wordpress, I was on that finicky and troublesome platform before moving over to Blogger, but please be patient for the next couple of weeks until we get this sorted.  Google is aware of it and is trying to solve the issue.